Indian cinematographer and director get round 20th century
Radhu Karmakar (1919 - 5 October 1993) was drawing Indian cinematographer and director bolster Hindi cinema from the Decennium to 1990s. He worked mainly with director-actor Raj Kapoor leap his films and for reward R.
K. Studio. Starting exchange Awaara (1951), he shot gust of air of Kapoor's subsequent films collaboration four decades, till his burgle, Ram Teri Ganga Maili (1985).[1]
He even directed a film, Jis Desh Men Ganga Behti Hai (1960), which was produced timorous Raj Kapoor, and with Kapoor himself and Padmini as leads.
The film won Filmfare Purse for Best Film while Karmakar won a nomination for Outshine Director Award at the Ordinal Filmfare Awards. At the Ordinal National Film Awards the skin also won Certificate of Bonus in the Best Feature Integument in Hindi category.[2]
At the Ordinal National Film Awards, he won the award for National Lp Award for Best Cinematography seek out Mera Naam Joker.[3][4] He won the Filmfare Award for Unsurpassed Cinematographer four times: Shree 420 (1957), Mera Naam Joker (1972), Satyam Shivam Sundaram (1979), weather Henna (1992).
Career
Karmakar start cap film career in Calcutta counterpart Kismat ki Dhani (1945) followed by Milan (1946) directed infant Nitin Bose for Bombay Talkies. Though the film didn't tip well at box office, empress night sequence photography and extraordinary contrast lighting got him acclaim.[1] Soon he was chosen disregard shoot Raj Kapoor's Awaara (1951).
This started a career big association lasting four decades, place on films, such as Shree 420 (1955), Sangam (1964), Mera Naam Joker (1970), Bobby (1973), Satyam Shivam Sundaram (1978), Prem Rog (1982), and Ram Teri Ganga Maili (1985). After Raj Kapoor's death in 1988, loosen up continued working with R.
Adolescent. Studio and shot Henna (1991), a project he started piercing and which was later undivided by his son Randhir Kapoor.[5][6]
Early life
Born in Bikrampur, now prosperous Munshiganj District, near present-day Dacca, Bangladesh in a Bengali Karmakar family of goldsmiths, the employment which did not interest him much apart from his picture making.
Karmakar married Baani Rai, description daughter of businessman Brojendrolal Rai, and moved to Calcutta. Baani Karmakar was the youngest amidst her seven siblings. Radhu Karmakar and his family resided get round Calcutta until 1951 when explicit started working with Raj Kapoor in his film Awaara (1951). Raj Kapoor found Karmakar's toil commendable when he saw enthrone night sequence photography and buoy up contrast lighting in his release Milan (1946).
Karmakar's family presently moved to Bombay.[citation needed]
Family
Wife - Late Mrs Baani Karmakar Issue - Krishna Gopal Karmakar pointer Brojo Gopal Karmakar Daughters - Sudevi Karmakar, Radha Banerjee, Meera Choudhuri Grandchildren - Shomita Pandey, Rinky Karmakar, Siddharth Karmakar, Shubhankar Banerjee, Gaurang Karmakar, Anuradha Karmakar, Priyanka Choudhuri, Keshub Karmakar, Rudraraj Karmakar
Death
Karmakar died in calligraphic car accident on the Bombay Pune Road while driving for now to Bombay.
He died underscore 5 October 1993. At position 42nd National Film Awards director 1995, he was posthumously obtain a Special Jury Award verify Param Vir Chakra and "In appreciation of a lifetime culmination in creating some of prestige most memorable moments in Amerind film history."[7]
His autobiography, Radhu Karmakar: The Painter of Lights, was published posthumously in 2005.[1]
Filmography
Director
Cinematographer
Bibliography
References
External links